The red veil (khăn phủ diện) is not merely a ritual implement but a symbol imbued with profound spiritual significance within the Mother Goddess Belief of the Three Palaces (Đạo Mẫu Tam Phủ). Placed over the head of the medium (đồng nhân) prior to each trance performance (giá hầu), the veil marks a liminal moment—a transitional state in which the practitioner prepares to shift from ordinary human identity to the embodied presence of deities and spirits.
Me covered in the red veil during a mediumship rehearsal workshop
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Hầu đồng is a form of possession in which deities of the Four Palaces descend into the medium, re-embodying the image of the Holy Mothers and Saints as they appear among humans, close to earthly life. Because of the cultural diversity across regions, we can clearly see the richness of forms, colors, and the meticulous […]
Within the Mother Goddess belief system, rituals and festivals are abundant and diverse, carrying unique characteristics that distinguish them from other religions and spiritual practices. However, the most central and representative is the ritual of Lên đồng (spirit possession, also called Hầu bóng), along with the festival system, such as “Father’s commemoration in the eighth […]
1. OriginDance is created to serve human needs and to reflect human life. Generally, dance in Vietnam has either folk or courtly origins, corresponding to the cultural and spiritual demands of the common people or of the aristocracy. Lên đồng dance derives from folk traditions and from the needs of the people. Vietnamese peasants historically had […]
Hát Chầu Văn (also known as Hát Văn or Hát Bóng) is a distinctive form of Vietnamese folk performance art intrinsically linked with the Mother Goddess Worship (Đạo Mẫu) of the Tam Phủ belief system.^1^ Having endured centuries of socio-historical upheavals, this art form has preserved both its vitality and unique aesthetic value within Vietnamese […]
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